Riona (
rionaleonhart) wrote2024-07-30 10:29 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I'm Pleased With The Mountains In The Background, Though.
Here's a slightly scattered entry!
A couple of years ago, I wandered into a charity shop and picked up If We Were Villains by ML Rio. This book actually does have a little fandom, I discovered later, which is relatively unusual for novels! But I didn't know that at the time; I just bought it because it looked interesting.
I finally got around to reading If We Were Villains recently, and I was correct to suspect that this book was up my street. Like The Secret History, it's about a group of students with a weirdly intense relationship who end up murdering one of their own and then having to deal with the fallout. Is this a genre? This is the perfect genre.
The book definitely has its flaws. It feels unbearably pretentious at times, and so many of the bracketed parts would flow better without the brackets, and these stupid teenagers won't stop quoting Shakespeare in the middle of serious conversations! I'm sorry, but a character having a breakdown becomes hilarious if he insists on communicating his feelings exclusively through lines from King Lear.
But it delivered hard on my desire for a bunch of murderteens having worryingly intense feelings about each other. I sort of ship the lot of them, but particularly James and Oliver, about whom my feelings steadily progressed from 'huh, is there something going on here?' to 'surely there's something going on here? surely I'm not imagining this?? Oliver took off his shirt and James homoerotically smeared blood all over him???' to 'oh my God I need these two to kiss or I'll die'.
I've scribbled down a few snippets of fanfiction, but I don't know whether I'll actually get anywhere with them; I don't really have a solid direction in my head for a fic. I'd like to write something for this, though!
I've been playing Tales of Berseria lately! This is another canon it took me a while to get around to. I bought it back in 2020, in a sale of Japanese games. But, at the same time, I picked up a little game called Persona 5, and Tales of Berseria was promptly forgotten as I fell headlong into the Persona series.
Now that I'm actually playing Tales of Berseria, I have slightly conflicted feelings on it!
The 'a group of ruthless villains and the small child they're all intensely fond of' party dynamic is delightful. Excellent concept for a group of characters! They'd stab you through the heart without blinking, but any one of them would die for this kid who's never known compassion before.
But I think the poor animation really hurts the storytelling. The occasional anime-style cutscenes are great; the 2D skits with minimal animation are charming. The 3D cutscenes are unbearably stiff and awkward. Ultimately, it makes the game as a whole feel like a missed opportunity; I'm constantly conscious of how much stronger the story would feel with more care put into the animation.
If you're interested in videogame animation, incidentally, I strongly recommend the YouTube channel New Frame Plus, in which professional animator Dan Floyd analyses animation in videogames! In particular, I'm enjoying his ongoing series on the twelve principles of animation in games and the animation of Final Fantasy (I cannot wait for him to get up to Final Fantasy VIII).
I thought I wouldn't like Magilou at first. I really took against her outfit! But she's fun. Just there to be a shit to everyone and stir up chaos. She reminds me a little of Joshua Kiryu.
I keep some of my paintings propped up on my bookcase, and it recently occurred to me, looking at them, that I'd never actually shared one of those paintings here. Here it is! I painted this in early 2018, I think.

This was inspired by a piece of Assassin's Creed: Rogue concept art, which I'm going to link to rather than including in the actual post because my painting looks so bad next to it. (This, I suspect, is why I've never posted the painting before.) This is the problem with basing your painting on another painting; it's too easy to directly compare them!
A couple of years ago, I wandered into a charity shop and picked up If We Were Villains by ML Rio. This book actually does have a little fandom, I discovered later, which is relatively unusual for novels! But I didn't know that at the time; I just bought it because it looked interesting.
I finally got around to reading If We Were Villains recently, and I was correct to suspect that this book was up my street. Like The Secret History, it's about a group of students with a weirdly intense relationship who end up murdering one of their own and then having to deal with the fallout. Is this a genre? This is the perfect genre.
The book definitely has its flaws. It feels unbearably pretentious at times, and so many of the bracketed parts would flow better without the brackets, and these stupid teenagers won't stop quoting Shakespeare in the middle of serious conversations! I'm sorry, but a character having a breakdown becomes hilarious if he insists on communicating his feelings exclusively through lines from King Lear.
But it delivered hard on my desire for a bunch of murderteens having worryingly intense feelings about each other. I sort of ship the lot of them, but particularly James and Oliver, about whom my feelings steadily progressed from 'huh, is there something going on here?' to 'surely there's something going on here? surely I'm not imagining this?? Oliver took off his shirt and James homoerotically smeared blood all over him???' to 'oh my God I need these two to kiss or I'll die'.
I've scribbled down a few snippets of fanfiction, but I don't know whether I'll actually get anywhere with them; I don't really have a solid direction in my head for a fic. I'd like to write something for this, though!
I've been playing Tales of Berseria lately! This is another canon it took me a while to get around to. I bought it back in 2020, in a sale of Japanese games. But, at the same time, I picked up a little game called Persona 5, and Tales of Berseria was promptly forgotten as I fell headlong into the Persona series.
Now that I'm actually playing Tales of Berseria, I have slightly conflicted feelings on it!
The 'a group of ruthless villains and the small child they're all intensely fond of' party dynamic is delightful. Excellent concept for a group of characters! They'd stab you through the heart without blinking, but any one of them would die for this kid who's never known compassion before.
But I think the poor animation really hurts the storytelling. The occasional anime-style cutscenes are great; the 2D skits with minimal animation are charming. The 3D cutscenes are unbearably stiff and awkward. Ultimately, it makes the game as a whole feel like a missed opportunity; I'm constantly conscious of how much stronger the story would feel with more care put into the animation.
If you're interested in videogame animation, incidentally, I strongly recommend the YouTube channel New Frame Plus, in which professional animator Dan Floyd analyses animation in videogames! In particular, I'm enjoying his ongoing series on the twelve principles of animation in games and the animation of Final Fantasy (I cannot wait for him to get up to Final Fantasy VIII).
I thought I wouldn't like Magilou at first. I really took against her outfit! But she's fun. Just there to be a shit to everyone and stir up chaos. She reminds me a little of Joshua Kiryu.
I keep some of my paintings propped up on my bookcase, and it recently occurred to me, looking at them, that I'd never actually shared one of those paintings here. Here it is! I painted this in early 2018, I think.

This was inspired by a piece of Assassin's Creed: Rogue concept art, which I'm going to link to rather than including in the actual post because my painting looks so bad next to it. (This, I suspect, is why I've never posted the painting before.) This is the problem with basing your painting on another painting; it's too easy to directly compare them!
no subject
Deep truth.
Oliver took off his shirt and James homoerotically smeared blood all over him
Was this literally written FOR you?
I really, really love that painting. Wow!
no subject
I snorted aloud at this. Maybe! Plus they were playing Macbeth and Banquo at the time, and Macbeth/Banquo is a longstanding ship of mine.
Thank you so much!
no subject
no subject
no subject
I think that's a Tales Of standard, unfortunately. Tales of the Abyss, while having an incredibly solid story, suffers from such bizarrely choppy animation and blocking during its cutscenes that it isn't always easy to know what's happening. Vesperia is a bit more smoothed out, but probably less so than Berseria, which came after it.
Hopefully you can get through it! I know later games have dropped skits, which I think is really unfortunate and probably part of the reason why I'm in no hurry to play any games I don't already own.
I'm definitely going to check out that YouTube channel, though. Thank you for the rec!
no subject
I know later games have dropped skits
Aww, that's a real shame! They're such an endearing feature.
I hope you enjoy the channel!
no subject
no subject
no subject
no subject
no subject
no subject
no subject
Love the painting! The various blues looks so great together.
no subject
Thank you!
no subject
I am definitely going to check out that Youtube series. Highly relevant to my interests.
no subject
no subject
I really like the painting!
no subject
Thank you!
no subject
And those are some very spiffy mountains :D
no subject
And thank you!
no subject
no subject
New Frame plus is a genuinely good animation channel!
Your painting is actually pretty good! The colors are really vibrant and strokes are made in the right direction to depict the shapes. |D
no subject
Thank you so much! I struggle with visual art, and I find your drawings impressive (love the bird, tree and shaded cone from your latest post!), so that means a lot.
no subject
Going to New Frame plus also reminded me of this slightly similar channel. Maybe there'll be a few interesting videos for you. :P
Aww, you've read my post, thanks.|3 If DW had like buttons for comments I'd press it, haha.
no subject
Oliver took off his shirt and James homoerotically smeared blood all over him
FINALLY SOME GOOD FICTION
no subject
no subject
no subject
The art comedy YouTube that I follow off and on, Drawfee, has this one episode where one of the hosts spends a week practicing backgrounds from reference because it's a skill he's not confident in, and I definitely get that vibe from this.
In conclusion, I guess, learning is cool and process is cool and both paintings are cool and you're cool too.
no subject
no subject
no subject
no subject
no subject
no subject
I've also got If We Were Villains on my tbr as well, I haven't read much dark academia stuff but it's definitely a fun 'genre'. The only problem with it getting popular is now people will call anything set in a school dark academia sjhdfskjfds like it's gotta have some murders or something otherwise that's just...academia!! (this does not fit the aesthetic of dark academia but it does feature many similar topics like a school, obsession, murders, etc, so if you haven't read Bunny by Mona Awad I highly recommend.)
Thanks for the YouTube channel rec! I love watching stuff like that so I'll have to check it out.
The painting is lovely, I really like how the background mountains almost blend in with the sky; it gives the feeling of an impenetrable wall off in the distance which really fits the icy landscape.
no subject
Thank you for the book recommendation! I'm bewildered and fascinated by the Goodreads reviews, which include 'hahahahha what the fuck', 'Wtf was that', and 'the secret history for chronically online tumblr obsessed girlbosses who belong in the psych ward'.
Thank you so much for your kind words about my painting, too; you've made me smile!
no subject
haha the ending is for sure weird (the whole book is weird) so it's definitely not for those who want everything cut-and-dried spelled out for them, but I enjoyed it a lot!! I'd definitely love to hear what you think of it if you do end up reading it.
no subject
riona i am legally obligated to inform you: you definitely need to read The Likeness by Tana French. if this genre is your jam you will adore it haha (and oh god wait this just reminded me i have some delectable fanfic of it sitting in my WIPs somewhere, i should really dig that out, i fell in love with this one absolute mess—)
also: just added if we were villains to my own TBR...!
no subject
no subject
Anyway, now I want them all trapped in a time loop which only ever resets to the day after Richard's death and their initial interrogations, so that it's always just too late to let them fix *the* mistake. Bonus points if only ones of them ever remembers that this has happened before, but who that is changes from loop to loop.
no subject
Also, it's weird that writing for this fandom demanded more Shakespeare research than the period in which my main fandom was Macbeth.
now I want them all trapped in a time loop which only ever resets to the day after Richard's death and their initial interrogations, so that it's always just too late to let them fix *the* mistake.
This is an incredible idea. I don't know if you're contemplating writing it or just throwing the concept out into the world, but, if you did write this, I would read the hell out of it.
no subject
In fairness, "clear communication" isn't something I expect from grown-ass adults, let alone a bunch of traumatized college actors. And one could make the case that, given that Shakespeare is the bedrock of their common experience, this is the clearest communication they know how to access!
[Also, it's weird that writing for this fandom demanded more Shakespeare research than the period in which my main fandom was Macbeth.]
I think it makes sense! Macbeth is only one play to have deep knowledge of. This is a fandom where every main character except Colborne is expected to have deep knowledge of all of them, as well as the historical / political / cultural context in which he was working.
[I don't know if you're contemplating writing it or just throwing the concept out into the world,]
I did contemplate it, but I think in the end I'm too intimidated to attempt it, for two reasons. One, I feel like I'd have to become a Shakespearean scholar just to attempt anyone's dialogue. Two, I can tell from the off that I'd want to approach it as a long fic, and I have a habit of underestimating the target wordcounts of my fanfics by a factor of ten.